Supercollider brooklyn4/27/2023 Dennett, the director of the Center for Cognitive Studies at Tufts University, is one of a handful of philosophers who feel this quest is so important that they have become as conversant in psychology, neuroscience and computer science as they are in philosophy. The alternative would be to go against the Ockhamite tradition and, like Descartes, admit mind as a separate substance operating outside the laws of physics.ĭaniel C. Since brains are made from the same atoms as everything else, there must be some way to unify mind and matter. And today the physicists promise us that once we give them their superconducting supercollider, they will take a giant step toward the day when they can unify light with gravity and the two forces at work inside the nuclei of atoms - showing how everything, even the geometry of space and time, crystallized from the primordial flash of the big bang.īut there would still be a gaping hole in this grandmother of unification theories: an explanation of the minds that are doing the unifying. Einstein did Maxwell one better by equating mass with energy. He might have been pleased when, half a millennium later, James Clerk Maxwell helped tidy things up by writing the equations that show magnetism and electricity as perpendicular shadows cast by light beams, radio waves, X-rays and other forms of what we now call electromagnetic radiation. Wielding his philosophical razor, William of Ockham declared, in the early 14th century, that in slicing the world into categories, thou shalt not multiply entities needlessly. George Johnson is an editor of The Week in Review of The New York Times and the author of "In the Palaces of Memory: How We Build the Worlds Inside Our Heads." November 10, 1991, Sunday, Late Edition - Final Copyright 1991 The New York Times Company To learn more about Hacke's soundtrack for "Transflexion," INDRA, visit here. To further exemplify these ideas, “Transflexion: The Net of Mirrors” features artists from a variety of backgrounds and is set to appear in several different cities around the world. Mirroring means to structure reality by repeating, distorting, combining its elements. Artists and art works are the mirrors, those influence the way of reflection by their individual nature. It can close connections between screens or devices, between spaces and ideas, between physical and virtual levels. Mirroring implicates reflection in form and content. The interdependence of several visual works and one sound effectively create a show that is never the same, every showing, every moment. Afterwards the perception is different at the next art work. The inner structure of the show represents the idea.Īfter watching one art piece the sound changes its nature in the observer. The sound expands the single video works and vice versa each autonomous visual changes the perception of the sound. Six artists working in video/time-based media will create the visual aspects of the show, while a singular soundtrack created by Alexander Hacke will loop independently. The dynamic nature of the circuits of communication between multiple objects and infinite reflections-the stuff of the communal fabric itself-are another aspect illuminated by “Transflexion: The Net of Mirrors.” Moments reflecting upon moments, and moments… The concept evolves with each presentation. The concept underpinning “Transflexion: The Net of Mirrors” has to do with "Dependent Origination,” which states that “all things arise in dependence upon multiple causes and conditions.” The growing realization of the interconnected nature of existence is the starting point for the six visual works playing to a single, unsynchronized, soundtrack. “Transflexion: The Net of Mirrors” begins its evolution: transforming from an installation-based art+sound event, to a single-channel entity presented in a new site, a new city. Soundtrack created by: Alexander Hacke (New York/Berlin) Single-channel, multi-artist video + sound exhibition
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